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LibertineWhereas Ed Upton's previous DMX Krew album for Hypercolour explored the bittersweet world of electronic melancholia and laidback futurism, his latest full-length outing charges towards the dancefloor with a giddy grin and an adrenaline-fuelled lust for life. From start to finish, the untitled set is a throbbing rush of futurist techno, fizzing electro and muscular Italo-disco workouts, with Upton's trademark sound - think funk-fuelled synth-bass, psychedelic acid lines, intergalactic chord sequences and inspired electronic flourishes - guaranteeing countless cuts of timeless electronic music. Best of all, while most of the tracks are crying out for club plays, the album can be enjoyed as a single musical journey that stands up to repeated listens.
