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Aforisme HollandIn the last few years, Suolo haven’t stopped contributing to the volatile and vibrant scene of electronic music of Romania and over the borders of it, shaping his productions into something that is now distinctive to a trained ear. What’s good about him? His love for compressed bass-lines? His ability to intrigue? We think both of them + even more. The release in case is nothing than a proof of that.
From what we know, both Tarantism and Mirror Dance do not belong to 2019 or 2018 either. We’ve got our hands on some earlier creations of his which with no surprise are actual until today and are definitely representatives of his. A side outsets with an opaque bass, giving a long enough moment of adjustation for the listener therefore avoiding any discomfort as to the development of the piece in the future. Not too long after the the low tones set in, a strand of claps come out, clearly indicating the direction of the piece. Everything cited above is reverberating in a melodic crawl way of atmospheric provenience. We found ourselves in a safe-house somewhere far away from the day-to-day game.
Mirror Dance is a composition of certainty and very self driven dynamic, layers blending one with another, creating new beginnings within the same partition. He crafts the elements into an uptempo string like rhythm, bouncing from one of the side of the room to another with absolute easiness. His usual accentuated drum line is present but it’s not the front of this piece as Suolo is actually leading the morphosis of the chantic side. Ingredients that seemed to be pointy and acute at the beginning are getting to be a part of warmly saturated and harmonious open space wander around.
